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Dr. Gloria Eme Worugji

English & Literary Studies


I am a dedicated Staff of the University. I love reading, cooking/ other domestic activities, drilling my students on Academic activities and above all Preaching Jesus Christ to people. I love the LORD completely.


Publications by Gloria Eme

Worugji, Gloria Eme. (2005).“The Perception of Woman in a Patriarchal African Society: A Study of The Concubine by Elechi Amadi”. Trends in the Study of Languages & Linguistics in Nigeria: A Festschrift for Philip Akujuoobi Nwachukwu. Ed. Ozo-mekuri Ndimele. Enugu: University of Nigeria Nsukka, 315-321.

Worugji, Gloria Eme. (2006). “Drama As Instrument for Child Development”. Applause:         Journal of Theatre and Media Studies. 1, 2. 15-30.

Worugji Gloria Eme. (2006). “Womanhood and the Concept of Slave in Buchi Emecheta’s          The Slave Girl and Elechi Amadi’s The Slave”. Education for Today. 6. 1, 93- 108.       

Simon, Eton and Worugji, Gloria Eme. (2006). “The Ogbanje Myth and Superstition         in Chinua Achebe’s Things Fall Apart and Gracy Osifo’s Dizzy Angel”. Education for         Today. 6, 2, 131-142.

 Worugji, Gloria Eme, Enamhe, Bojor and Simon, Eton. (2007).“The Image of Women:        Custom and Modernity in James Ene Henshaw’s Selected Plays. Applause: Journal of       Theatre and Media Studies.1, 3, 141-158.

 Worugji, Gloria Eme. (2007).“The Exploration of Cultural Conflict in Okot p’ Bitek’s Song of Lawino (1972) and Song of O’col (1972)”. Global Journal of Humanities. 6, 1 & 2.1-5.

Worugji, Gloria Eme. (2008).“The Theme of Marriage in Dear Ramatoulaye as a Response to Mariama Ba’s So Long a Letter”. LWATI: A Journal of Contemporary Research. 5. Swaziland, 192-203.

Worugji, Gloria Eme, Osim, Stella and Enamhe, Bojor. (2008). “Socio-economic/Political Satire in Three Plays by Tess Onwueme”. SOPHIA: An African Journal of Philosophy and Public Affairs. 11, 1, 133-138.

Simon, Eton and Worugji, Gloria Eme. (2008). “The Feminine Sphere in Chinua Achebe’s Things Fall Apart. The Ker Review: A Journal of Nigerian Literature. 4, 2, 64 -78.

Worugji, Gloria Eme. (2009). “Dramatizing the Niger Delta Experience: Nwamuo’sPremiere Production of Tess Onwueme’s Then She Said It”. The Dramaturgy of Liberation and Survival: Festschrift Essays on Chris Nwamuo’s Scholarship. Eds. Esekong H. Andrew and Babson Ajibade. Calabar: University of Calabar Press, 115 - 126.

Worugji, Gloria Eme, Osim, Stella and Simon, Eton. (2009).“The African Traditional Society and the Woman in Selected Literary Works of African Male-Authors”. International Journal of Sustainable Development. 2, 6, 110-116. Accra.

Worugji, Gloria Eme. (2010). “Redefinition of the Position of Women in Osonye Tess Onwueme’s Play The Reign of Wazobia”. LWATI: A Journal of Contemporary Research. 7, 2. 196-205. Beijing- China.   

Worugji, Gloria Eme. (2010). “A Call for Change: Traditional African Value and Modern Africa in the Play The Broken Calabash by Tess Osonye Onwueme” LWATI: A Journal of Contemporary Research. 7, 4, 100 -106. Beijin- China.

Worugji, Gloria Eme. (2011). “Protest Against Racial Discrimination in Tess Onwueme’s Play Riot in Heaven”. African Research Review.5 (4), 21, 327-341. Ethiopia.

Worugji, Gloria Eme. (2012). “The Woman as Male Appendage: A Critical Examination of the Position of Major Female Characters in Elechi Amadi’s The Concubine” ICHEKE: Journal of Faculty of Humanities. 10, 1, 19 -28.

Worugji, Gloria Eme. (2014). “Woman The Enemy Within: An Examination of Tess Onwueme’s Tell it to Women”. Freedom, Self-Determination and Growth in Africa. Eds. K.I. Owete, etal, Berlin, 176 -195.                                                                  

Worugji, Gloria Eme. (2014). “A Critical Analysis of Canice Nwankwo’s Hopes of the Living”. Masterpieces of African Literature.1.Eds.Eko, Ebele, Kalu Uka, Ude Eko, Bassey Ekpenyong, Joe Ushie, Ini Uko, and Peter Onwudinjo. Lagos: A Mace Books/Sunbird Africa Media Production, 365-372.            

Worugji, Gloria Eme. (2014). “A Critical Analysis of Ola Rotimi’s Ovonranwem Nogbasi” Masterpieces of African Literature. 1. Eds. Eko Ebele, Kalu Uka, Ude Eko, Bassey Ekpenyong, Joe Ushie, Ini Uko, and Peter Onwudinjo. Lagos: A Mace Books Sunbird Africa Media Production, 419-426.              

25.    Simon, E.D. and Worugji, G.E. (2014).“The African Feminist Ideology and Independent Woman in Flora Nwapa’s Efuru and Zaynab Alkali’s The StillBorn. Contemporary Journal of Inter-disciplinary Studies. Netherlands. 1.1. 2014, 100 - 107.  

Worugji, Gloria Eme, Enamhe, Bojor. (2014). “Socio-political Satire in the play The Desert Encroaches by Tess Onwueme”. The African Pentecost: Journal of Theology, Psychology and Social Work. 270 - 282.

Worugji, Gloria Eme. (2014). “Socio-economic satire in Tess Onwueme’s Ban Empty Barn”. WATPAJO: West African Theatre and Performing Arts Journal, 2, 1. 32- 44. Cape Coast.

Worugji, Gloria Eme. (2015). “Women literacy in Elechi Amadi’s Estrangement”.ANSU: Journal of Language and Literary Studies. 2, 1. 131-136.

Worugji, Gloria Eme. (2015).“Women, Revolt, Change and Development in Tess Onwueme’s The Reign of Wazobia” CAJOLIS: Calabar Journal of Liberal Studies: An Interdisciplinary Journal. 19, 1, 90-97.

Worugji, Gloria Eme. (2016). “The Perception and experiences of Women at War in Elechi Amadi’s The Great Ponds”. Contemporary Journal of Interdisciplinary Studies. 5. 3, (, 308 -316. Cape Coast.

Worugji, Gloria Eme and Akpan, Brenda. (2017). “Marginalization of Women in John    Pepper Clark’s, The Wives Revolt”. NDUNODE: Faculty of Arts Journal, 1117- 5621. 12, 1, 351- 361.          

Reseacrh Works Done

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Conferences Attended

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Grants Received

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